Images of Ali: The people and pictures that I'll never forget

Gone, he is, but 34 pictures of him keep rifling through my head. One in Belgium. One in Buckeye. One in Karl Mildenberger’s sportcoat pocket. One on my stairwell wall. Thirty in Ali’s old barn.

The Picture in Belgium . . .

. . . is an oil painting of Jean-Pierre Coopman sprawled on the canvas with Muhammad Ali standing over him. There are icicles coming down over the top of Coopman. The floor’s cracking open beneath him.

Coopman painted it, his own annihilation, two decades after their 1976 fight. He’s thrilled with it. So thrilled he shows me another one he painted of Ali smashing him through the ropes. We’re in Ghent, his town, in 1997. His memories of Ali are an electric current he can’t wait to discharge. With backslaps and ooooofs and ear-to-ear grins, blue eyes twinkling around a bludgeoned nose.

“I was part of a great person’s life and that makes me a greater person,” he says. “Ooof, he was one of the most beautiful people I ever met. Everyone knows him as a big champion. For me he is triple that as a man. I felt his goodness three months before our fight at our press conference in New York. Oooof. He grabbed me and threw me on the floor, and when no one could see, he winked at me. I still dream of that fight. After it we talked for two hours in his hotel room.”

He remembered trying to kiss Ali when they met at that pre-fight press conference—three times, alternating cheeks, the Belgian custom—and feeling sheepish when Ali backed away in mock terror of a romantic advance. Years later, Ali was in a boxing ring in Antwerp for a ceremony, answering the Belgian media’s questions after receiving another award. Coopman was watching from the shadows, wounded that no one asked a single question about Ali’s fight with their native son . . . when Ali squinted and spotted him.

“Cooperman!” he shouted. He butchered names, but forgot nothing else. He waved Coopman into the ring, pulled him close and kissed him three times, alternating cheeks, the Belgian custom.

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The Picture in Buckeye . . .

. . .  is a glossy of Ali, the icon, gleaming in a black tux. What was it doing on the wall of this T-shirted, wooden-legged, Mexican-American cock-fighter in the middle of Arizona in 1996? This eighth-grade dropout who had half his left leg blown off and his right arm irreparably mangled when he stepped on a mine just outside of DeNang, Vietnam in the very war that Ali refused to fight?

“I should be mad at him,” Frank Celaya’s telling me. “I got blown up in Vietnam and he wouldn’t go fight there. But I admire him. I fought for this country. He fought for his beliefs.”

Maybe Ali’s version of freedom, when push came to shove, was bigger than America’s. Three years after stepping on the mine, Frank was digging irrigation ditches seven days a week, 12 hours a day, his fighting rooster tethered nearby . . . when a big fellow working with him started making fun of Ali. Somehow the thing that African-Americans felt for Ali had jumped like a red ember into his chest, too. He scrambled up to the lip of the ditch, pulled back his leg and kicked the man in the forehead.

- Walter Iooss Jr.
Walter Iooss Jr.

The 30 Pictures in Ali’s Old Barn . . .

. . . are what Muhammad wants me to see. None have been hung. They’re on the floor, leaning against the four walls, pictures and paintings of Ali in glorious moments surrounded by kings and presidents, champions and celebrities—all looking up at him. A pair of pigeons flap up in a rafter as we enter. He pauses, peers closer and begins to notice, in picture after picture, the bird crap splattered across his image.

It’s 1988, seven years after his retirement, four years after he’s been diagnosed with Parkinson’s syndrome. Ever so slowly, without a trace of irritation or impatience, without a single word, head shake or disapproving glance toward the rafters, he walks around the barn, turning his face and dung-streaked moments 30 times to the wall.

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The Picture in Karl Mildenberger’s Sportcoat Pocket . . .

. . . was a postcard of Mildenberger tagging Ali with a straight right. “Look—I hit him!” cries the old German fighter. We’re in a bar in Kaiserslautern, Germany in 1997. Five thousand times in 10 years, he says, he has pulled this same postcard from his sports jacket pocket and given it to a gratified human being. “It’s always with me,” he says. “If I’m stopped for speeding, I just give the police one.”

He lasted 12 rounds in their 1966 fight, nine more rounds than most predicted, and became Ali’s 26th conquest. “I’m in boxing history because I stayed 12 rounds with Ali, but I was glad it was over,” he said. “My cuts were bad. But I worshipped him because he was so mannerly and charismatic and he made it fun. When I met him at the airport for the fight, he said, ‘Karl, you’re a nice boy. You’re just as handsome as I am.’ I could build no true anger against him. That would be headless.”

Muhammad Ali (left) and Karl Mildenberger, from Sept. 10, 1966 - Sven Simon/Imago/Icon SMI
Muhammad Ali (left) and Karl Mildenberger, from Sept. 10, 1966 Sven Simon/Imago/Icon SMI

On Nov. 23, 1987—Karl’s 50th birthday—a shocking thing happened. His wife called him to the phone. He pressed his ear to the receiver to pick up the shaky, slow voice. “Karl . . . this is Muhammad.” Ridiculous. Was this a trick? “Happy birthday, Karl. How . . . are you? What . . . are you doing?” No, he knew that voice, it wasn’t a joke. Imagine that, he thought, Ali thinking to call him—one of half a hundred men he’d defeated—on his 50th birthday. And so five years later, on Muhammad’s 50th, Karl returned the favor.

But he winced when Ali stood trembling, trying to light the Olympic torch as the whole world held its breath at the beginning of the 1996 Summer Games in Atlanta. “I was so scared that I could barely watch,” says Karl. “I was shaken. I cried. Why did they have Ali do that? Why show him that way? Fifteen years before he was still entertaining millions. They just destroyed the picture.”

No, Karl, I began to disagree. They just completed the picture. But already he was clasping his hands together, calling, "Cheers!" and in shiny, hard shoes, sport coat and tie, leaping over a chain-link fence and hurrying off into the darkness.

In one of the most iconic and controversial moments of his career, Ali stands over Sonny Liston and yells at him after knocking the former champ down in the first round of their 1965 rematch. Skeptics dubbed it "the Phantom Punch," but films show Ali's flashing right caught Liston flush, knocking him to the canvas. Refusing to go to a neutral corner, Ali stood over Liston and told him to "get up and fight, sucker." Neil Leifer
At 22-years-old, Cassius Clay (Muhammad Ali) battered the heavily favored Sonny Liston in a bout that shook the boxing world. The fight ignited the career of one of sports' most charismatic and controversial figures, whose bouts often became social and political events rather than simply sports contests. At the peak of his fame, Muhammad Ali was the best known athlete in the world. Liston, one of the most feared heavyweight champions in history, was a 1-8 favorite over the young challenger known as the Louisville Lip. But Clay, here stinging the champ with a right, used his dazzling speed and constant movement to dominate the action and pile up points. Neil Leifer
Cassius Clay punches Zbigniew Pietrzykowski of Poland during their gold medal bout at the 1960 Rome Olympics. Clay defeated Pietrzykowski 5-0 for the light heavyweight gold medal. Jerry Cooke
For the 18-year-old from Louisville, here atop the medal stand after his Olympic victory, all roads led from Rome. Clay finished his amateur career with a record of 100-5 and made his professional debut two months after the Games. Marvin E. Newman
Undefeated in his first 17 pro fights, Clay mugged for the camera before the start of his 1963 bout against Doug Jones in Madison Square Garden. Neil Leifer
Trainer Angelo Dundee urged his young charge to get serious before the opening bell against Jones. Clay followed instructions and emerged from a tough fight with a unanimous decision victory. Three months later he would stop Henry Cooper and close out 1963 at 19-0. Neil Leifer
A seemingly hysterical Clay taunted Sonny Liston during the pre-fight physical for their 1964 bout. He had consistently baited the Big Bear during the lead-up to the fight, saying he was going to "use him as a bearskin rug ... after I whup him." The Miami Boxing Commission would fine Clay $2,500 for his outburst at the physical. Neil Leifer
"I shook up the world!" an emotional Clay hollered to ringside reporters after his shocking defeat of Liston. And he did just that, claiming the heavyweight title at age 21 after a clearly beaten Liston, complaining of a shoulder injury, failed to answer the bell for the seventh round. Neil Leifer
Draped in shadow, the young king — now known as Muhammad Ali — stared down the camera during a photo shoot in April 1965, one month before his rematch against Sonny Liston. Neil Leifer
As Liston lingered on the canvas and the referee, former heavyweight champ Jersey Joe Walcott, tried to control Ali, the 2,434 spectators on hand in the Lewiston, Me., hockey arena — a record low for a heavyweight championship fight — tried to make sense of what all that had happened in less than two minutes after the opening bell. Neil Leifer
The celebration over Liston continued. In a chaotic ending, Ali was awarded a knockout when Nat Fleischer, publisher of The Ring, informed referee Jersey Joe Walcott from ringside that Liston had been on the canvas for longer than 10 seconds after Ali knocked him down. The bout remains one of the most controversial in boxing history, with many observers insisting that Liston took a dive. Neil Leifer
Ali's second title defense came in November 1965, against former two-time heavyweight champion Floyd Patterson. During the build-up to the bout, the normally soft-spoken Patterson earned the new champ's wrath by refusing to call Ali by his Muslim name. At the weigh-in, Ali's glare made it clear that he intended Patterson to pay for the disrespect. Neil Leifer
In cruelly efficient performance, Ali punished Patterson — who was hobbled by a painful back injury — seemingly toying with the former champ throughout the bout, hitting him at will and calling, "What's my name?" before finally winning on a 12th-round TKO. Neil Leifer
Capping off a five-fight campaign in 1966, Ali faced Cleveland Williams in the Houston Astrodome on Nov. 14. Known as the Big Cat, the heavily-muscled Williams was a power puncher who had racked up 51 knockouts in 71 fights. But he was also 33, barely recovered from a gunshot wound sustained the year before, and up against a young champion very much in his prime. Ali wasted little time in unleashing a withering attack. James Drake
Float and sting: In a display of speed and combination punching unmatched in heavyweight history, Ali overwhelmed Williams from the start. The challenger, here down for the third time in round 2, would be saved by the bell before referee Harry Kessler could count him out, but it would only postpone the inevitable. James Drake
Ali dropped Williams again early in the third round, and Kessler waved the mismatch over at 1:08 of the third. Neil Leifer
In a multiple-exposure portrait, Ali demonstrates his signature double-clutch shuffle during a photo shoot in December 1966. Neil Leifer
Ali sits in the locker room before his February 1967 fight against Ernie Terrell. Like Patterson before him, Terrell refused to call the champion by his Muslim name. Also like Patterson, he paid a stiff price, as Ali punished Terrell for 15 ugly rounds before winning by unanimous decision. Neil Leifer
Outside the Armed Forces Examining and Entrance Station in Houston in April 1967, Ali spoke to the press about his refusal to be inducted into military service. Among those on hand was ABC's Howard Cosell, who would be a staunch supporter of the fighter's stance. The decision cost Ali his boxing license and his heavyweight title, and he was sentenced to five years in prison but remained free pending an appeal. Neil Leifer
In professional exile for three and a half years because of his draft case, Ali sought to return to boxing in 1970. He began with a night of exhibition bouts at Morehouse College in Atlanta, where before going into the ring, he shared a locker room laugh with actor and comedian Lincoln Perry (right), better known by his stage name of Stepin Fetchit. The friendship between the two black icons would later be examined in an acclaimed play by Will Power, Fetch Clay, Make Man. Neil Leifer
After the Atlanta Athletic Commission at last granted Ali a license, the deposed champion went back into serious training. He was, as ever, in the capable hands of trainer Angelo Dundee, here wrapping boxing's most famous fists at the 5th Street Gym in Miami in October 1970. Neil Leifer
With his return to the ring scheduled for Oct. 26, 1970 in Atlanta, against dangerous contender Jerry Quarry, Ali made it clear to all who would listen that he was on a mission to reclaim the title that had been stripped of him. Neil Leifer
Reel to spiel: For the ever-loquacious Ali, even a rare moment of down time — like this afternoon in 1970 in a Miami hotel room — was a chance to do some talking. Neil Leifer
Despite Ali's long layoff, his comeback campaign would include no easy tune-up bouts. He stopped Quarry in three rounds on Oct. 26, 1970, then, just six weeks later — an unthinkably short interlude by today's standards — took on Argentine contender Oscar Bonavena in Madison Square Garden. Here, Ali fires a right at the rugged and awkward Bonavena, who took the fight to the former champion all night. Neil Leifer
After a long, often sloppy bout, Ali — here being held back by referee Mark Conn — produced one of the most dramatic finishes of his career, dropping Bonavena three times in the 15th and final round to automatically end the fight. The win cleared the way for a showdown with Joe Frazier, the man who had taken the heavyweight title in Ali's absence. Neil Leifer
On the night of March 8, 1971, the eyes of the world were on a square patch of white canvas in the center of Madison Square Garden. There, Ali and Joe Frazier met in what was billed at the time simply as The Fight, but has come to be known, justifiably, as the Fight of the Century. For 15 rounds the two undefeated heavyweights battled at a furious pace, with each man sustaining tremendous punishment. In the end Frazier prevailed, dropping Ali in the final round with a tremendous left hook to seal a unanimous decision and hand The Greatest his first loss in 32 professional fights. Neil Leifer
Ali poses with the fight poster for his upcoming fight against Jimmy Ellis during a photo shoot in July 1971. Ellis was an old friend of Ali's — both were trained by Angelo Dundee — and knew his fighting style well from many rounds of sparring. Neil Leifer
For those sportswriters lucky enough to cover Ali on a regular basis, each day brought surprises and, more often than not, plenty of laughs. of Trainer Drew Bundini Brown helps Ali train for his fight against Ellis. Ali won the bout by technical knockout in the 12th round to claim the vacant NABF heavyweight title. Neil Leifer
The man in the mirror stares back as Ali examines himself while training for a fight in 1972. He won all six of his fights that year. Neil Leifer
The Louisville Lip stands next to George Foreman before Ali's fight versus Jerry Quarry in June 1972. Ali won by technical knockout in the seventh round. Foreman at the time was 36-0. Ali would not get his shot against Foreman for more than two years. Neil Leifer
Ali throws a left hook at Bob Foster in their 1972 fight at Stateline, Nev. Although Ali knocked Foster out, Foster did leave his mark: a cut above Ali's left eye, his first as a professional. Neil Leifer
Foster lies on the canvas after getting knocked down by Ali. Ali knocked Foster down four times in the fifth round and twice more in the seventh round before he was finally counted out after Ali knocked him down again in the eighth round. Neil Leifer
Ali sits with sportscaster Howard Cosell before his fight with Joe Bugner in February 1973. Although unable to knock Bugner out, Ali won comfortably by unanimous decision. Neil Leifer
Ali hits a speed bag while warming up for his bout with Bugner in Las Vegas. Ali prepared ferociously for the fight, training 67 rounds the week leading up to the fight, including six rounds the day before the fight. Neil Leifer
In a lighter pre-fight moment, Ali poses for a portrait wearing a hat in his dressing room before the match with Bugner. Neil Leifer
Ali plays with Sugar Ray Robinson's hair in the locker room before his bout with Bugner. The former welterweight and middleweight champion was Ali's childhood idol. Neil Leifer
Before the fight with Bugner, Muhammad Ali enjoys a relaxed moment with a poodle at Caesars Palace Hotel. He won the fight with Bugner by unanimous decision. Neil Leifer
Howard Cosell interviews Ali, with entertainer Sammy Davis Jr. in the middle, after his victory over Joe Bugner by unanimous decision in. Although the fight was never in jeopardy of getting away from him, Ali praised Bugner's legs and said he could be a champion in a few years. Neil Leifer
Ali changes the diaper of his son in his bedroom during a photo shoot at the family's home in April 1973. Ali had suffered a broken jaw less than a month earlier in his fight against Ken Norton. Neil Leifer
In the wake of his split decision loss to Norton, Ali plays with his son in his bedroom at home in Cherry Hill, N.J. Neil Leifer
Ali kisses his daughter Jamillah outside of their home following the loss to Norton, just the second defeat of his career. Neil Leifer
The Ali family standing outside their New Jersey home. To the right of Muhammad Ali are his twin daughters, Jamilllah and Rasheda, daughter Maryum and his wife, Khalilah, holding their son Ibn Muhammad Ali Jr. Neil Leifer
At his training camp cabin, Ali pushes a boulder during a photo shoot in Deer Lake, Penn., in August 1973. Ali was training for his rematch against Ken Norton, who broke his jaw five months earlier. Neil Leifer
Ali chops wood at his cabin in Deer Lake. He referred to the training camp as "fighter's heaven" and used it to prepare for fights away from the spotlight. Neil Leifer
The fighters weigh in on the Tonight Show with Johnny Carson ahead of Ali and Ken Norton's September 1973 fight. Neil Leifer
Johnny Carson listens to Ali on the Tonight Show three days before his rematch with Norton. Ali would avenge his earlier loss to Norton, winning a narrow split decision. Neil Leifer
Ali poses in front of posters and magazine covers from throughout his career at his training camp cabin in Deer Lake in 1974. Neil Leifer
Ali poses with members of his family in front of a poster from his first fight with Joe Frazier. Ali's brother, Rahman Ali; mother, Odessa Clay; and father, Cassius Clay Sr. stand behind the boxer. Neil Leifer
Less than three weeks before his rematch with Joe Frazier on Jan. 28, 1974, Ali wraps his hands while wearing a sauna suit at his training camp cabin. Neil Leifer
Ali holds a newspaper at his cabin in January 1974. He is pointing to a headline that reads, "Frazier On Ali, I Think He's Crazy." Ali and Frazier fought for the second time later that month with Ali winning by a unanimous decision. Neil Leifer
Ali lies on his bed at his cabin during the January 1974 photo shoot. Neil Leifer
His smaller incarnation stares straight back as Ali plays with a doll of himself during the same 1974 shoot at his training camp cabin. Neil Leifer
Ali and Joe Frazier fight on the set of The Dick Cavett Show while reviewing their 1971 bout in advance of their 1974 rematch. Ali called Frazier ignorant, to which Frazier took exception. As the studio crew tried to calm Frazier down, Ali held Frazier by the neck, forcing him to sit down and sparking a fight. The television set fight amped up anticipation of their January 1974 bout. Neil Leifer
Exploring a different side of the sport, Ali broadcasts the fight between George Foreman and Ken Norton in March 1974. Foreman won the fight by technical knockout in the second round, setting up the showdown with Ali in Zaire. Neil Leifer
Ali jumps rope at the Salle de Congres in Kinshasa, Zaire, while training for his heavyweight title fight against George Foreman. Both Ali and Foreman spent most of the summer of 1974 training in Zaire to adjust to the climate. Tony Triolo
While training before his fight with George Foreman, Ali kisses his mother, Odessa Clay, while his father, Cassius Clay Sr., looks on. Ali's superior strategy and ability to take a punch led him to his upset victory as he absorbed body blows from Foreman before he responded with powerful combinations to Foreman's head. Neil Leifer
Four days before the fight, Ali holds the hand of his son Ibn in Zaire. Ali successfully courted the favor of the Zaire crowd, prompting chants of "Ali bomaye!" — translated as "Ali, kill him!" Neil Leifer
Ali poses in front of the Le Militant statue at the presidential complex that was the site of Ali's January heavyweight title bout with Foreman. The fight was originally set for a month earlier, but Foreman suffered a cut near his eye during training, forcing a delay. Neil Leifer
Ali stands against the railing on the River Zaire watching the sunset four days before the Rumble in the Jungle. The fight was sponsored by Zaire to achieve the $5 million purse promoter Don King had promised both Ali and Foreman. Neil Leifer
Before employing his famous rope-a-dope strategy against Foreman, Ali makes a face at the camera. Ali allowed Foreman to throw many punches but only into his arms and body, and when Foreman tired himself out from the mostly ineffective punches, Ali took control of the fight. Neil Leifer
Ali points before his bout with Foreman. The victory over his favored opponent made him the heavyweight champion of the world for the first time since he was stripped of his titles in 1967. Neil Leifer
Ali stares at George Foreman during the Rumble in the Jungle. Ali earned his shot at the heavyweight title by defeating Joe Frazier in January 1974, avenging a loss three years earlier. Neil Leifer
Foreman lies down on the canvas as Ali stands in the background during the Rumble in the Jungle. Ali knocked Foreman down with a five-punch combination in the eighth round, and referee Zack Clayton counted him out. Tony Triolo
Big George stares at the ceiling as referee Zack Clayton counts him out in the eighth round. The victory made Ali, once again, the heavyweight champion of the world. Neil Leifer
Ali poses for a portrait after being selected as the Sports Illustrated Sportsman of the Year in 1974. Ali wore a dashiki, a men's garment widely worn in West Africa. He also brought the walking stick given to him by Zaire's president. Neil Leifer
This time Ali wears a tuxedo, but keeps the walking stick, during the November photo shoot for Sports Illustrated's Sportsman of the Year. Neil Leifer
Ali talks with Howard Cosell outside of the United Nations Headquarters for a segment on the Wide World of Sports. Later that day, Ali held a press conference to announce that he would donate part of the proceeds from his fight against Chuck Wepner to help Africans in the Sahel drought. Neil Leifer
Ali talks with Reverend Jesse Jackson outside of the United Nations Headquarters before a press conference to announce that he would donate part of the proceeds from his fight against Chuck Wepner to help Africans in the Sahel drought. Neil Leifer
Ali stands with trainer Angelo Dundee, assistant trainer Wali Muhammad, physician Dr. Ferdie Pacheco and assistant trainer Drew Bundini Brown before his bout with Ron Lyle in May 1975. Ali won the fight by technical knockout in the 11th round. Neil Leifer
Along with Don King and Joe Frazier, Ali sat for a portrait leading up to the Thrilla in Manila. Ali verbally abused Frazier during the buildup to the fight, telling the media that "it will be a killa and a thrilla and a chilla when I get the gorilla in Manila." Neil Leifer
Ali points at the camera with Don King and his training staff behind him before the weigh-in for the Thrilla in Manila in October 1975. Philippine president Ferdinand Marcos offered to sponsor the bout and hold it in Metro Manila to divert attention from the turmoil in the country that had forced the imposition of martial law in 1972. Neil Leifer
Wrapping up Joe Frazier proved more difficult than Ali expected, having thought Frazier would represent an easy payday and be unable to live up to his billing. The fight turned out to be a brutal affair. Neil Leifer
Frazier faces an Ali right hook in their fight in Quezon City, Philippines. The two fighters traded vicious blows during their 14 rounds. "Man, I hit him with punches that'd bring down the walls of a city," Frazier said. Ali withstood the blows to win by TKO in the 15th round. Neil Leifer
The third fight between Ali and Frazier, Ali won the bruising battle between the two powerful punching heavyweights when Frazier's trainer, Eddie Futch, stopped the fight before the 15th round. Neil Leifer
A back and forth exchange, Ali controlled the early rounds of the Thrilla in Manila before Frazier fought back with powerful hooks. Ali finished strong, regaining momentum in the later rounds. Neil Leifer
Ali speaks to the press after winning the Thrilla in Manila bout with Frazier. Neil Leifer
Ali holds a drinking concoction given to him by Dick Gregory, an advocate of a raw fruit and vegetable diet, in 1976. Tony Triolo
Before his 1976 fight against Ken Norton at Yankee Stadium, Ali watches a fight on television from his hotel room. A police strike at the time of the fight created a dangerous environment outside the stadium that all but eliminated walk-up sales. Tony Triolo
Norton takes a right hook during the heavyweight title fight against Ali. The bout, which Ali won by a unanimous, but controversial, decision, was the last boxing match at Yankee Stadium until 2010. Jerry Cooke
Ali makes a face during his fight with Earnie Shavers in 1977 at Madison Square Garden. Hurt badly by Shavers in the second round, Ali rebounded and outboxed Shavers throughout to build a lead on points before Shavers came on again in the later rounds. Seemingly exhausted going into the 15th and final round, Ali remained victorious by producing a closing flurry that left Shavers wobbling at the bell and the Garden crowd once again in delirium over his Ali magic. Neil Leifer
Ali squares off with Leon Spinks at the Las Vegas Hilton Hotel in February 1978. Spinks won the fight in a split decision, ending Ali's 3.5-year reign as the heavyweight champion. It was the only time in Ali's career that he lost his championship title in the ring. Neil Leifer
Leon Spinks took center stage over Ali at the press conference after their fight. The victorious Spinks and his gap-toothed grin were featured on the Feb. 19, 1978 cover of Sports Illustrated. Neil Leifer
Ali lands a straight right hand to the head of Spinks in the rematch of their title bout in 1978. Ali won on a 15 round decision. Neil Leifer
Don King pulled the strings again when Ali faced Larry Holmes before their November 1980 fight. King became a key figure in Ali's career, promoting his biggest fights, the Thrilla in Manila and the Rumble in the Jungle. Lane Stewart
Ali points at Larry Holmes before their bout at Caesars Palace in 1980. John Iacono
Ali grapples with Holmes during their bout in 1980. Trainer Angelo Dundee stopped the fight in the 11th round, marking the fight as Ali's only career loss by knockout. John Iacono
Drew Bundini Brown leans in to speak to Ali, who returned to fight Holmes after a brief retirement. By this time, Ali had already begun developing a vocal stutter and trembling hands and taken thyroid medication to lose weight that left him tired and short of breath. John Iacono
Ignoring pleas for his retirement, Ali stretches before a fight against Trevor Berbick in Nassau, Bahamas. Ali lost to Berbick in a unanimous decision and retired after the bout, the 61st of his career. John Iacono
Ali pretends to spar with artist LeRoy Neiman at his home in Los Angeles. Neiman met Ali in 1962 and made many paintings and sketches from throughout Ali's life. Peter Read Miller
Cake in hand, Ali poses for a 50th birthday portrait in 1991. Although diagnosed with Parkinson's syndrome seven years earlier, Ali was still active, traveling to Iraq during the Gulf War to meet with Saddam Hussein in an attempt to negotiate the release of American hostages. Neil Leifer
The same year, Ali stands atop of the Sonny Liston rock at his old training camp cabin. Ali and his father painted the names of famous boxers he admired on 18 boulders at the camp. Neil Leifer
Ali carries the Olympic torch inside Centennial Olympic Stadium at the 1996 Atlanta Olympics. Despite trembling hands, Ali had the honor to light the Olympic flame in the stadium. Peter Read Miller
Husband and wife pose for a portrait during a photo shoot in 1997. Muhammad and Lonnie married in 1986 and have an adopted son together, Asaad Amin Ali. Neil Leifer
Ali messes around with actor Billy Crystal during a photo shoot in 2000. Crystal's impression of Ali was notorious, and he performed at a tribute to the boxer on his 50th birthday in December 1991. Neil Leifer
Ali lies on the canvas as his son, Assad Amin Ali, stands over him invoking memories of Ali's victory over Sonny Liston during a photo shoot in the gym at his farm on Kephart Road near Berrien Springs in 2001. Neil Leifer
Fierce rivals in the ring, Ali and Joe Frazier pose for a portrait in the boxing robes they wore the night of their first bout at Frazier's Gym in 2003. Ali said after Frazier's death in 2011 that he was "a great champion." Walter Iooss Jr.
Ali takes a punch from his daughter Laila Ali while sparring before her fight against Erin Toughill in 2005. Laila retired from her own successful boxing career with a professional record of 24-0. Neil Leifer
Ali poses with his fists up for a portrait in 2005. Walter Iooss Jr.
Ali poses with an extended punch in a 2012 photo shoot at his home in Paradise Valley, Ariz., to mark his 70th birthday. Neil Leifer
Ali sits in front of a 70th birthday cake in January 2012 at his Arizona home. Later that year he appeared at the opening ceremonies for the 2012 Olympics in London to escort the Olympic flag into the stadium, 52 years after he won gold in Rome. Neil Leifer

The Picture in My Stairwell . . .

. . . is the only one of any athlete that has gone on my wall since I was a boy. It’s Ali on his farm in Dearborn, Michigan, in 1988. A month earlier he had taken me to an abandoned boxing gym, handed me a stopwatch and shadow-boxed three rounds with a heavy bag, having me call out “Time!” at the end of each round. “How’s that for a sick man?” he’d cried as he jabbed, feinted and whirled in the first round. But by the third he was finished, slumped, and I had to take half-steps to follow him to his car.

In the few weeks between that moment and this photo, that last little bit of need to prove something, anything, seemed to have drained from him. He’s gazing straight into photographer Gregory Heisler’s camera, hands linked overhead, without a flicker of the old flirtation, mischief or desire—with the stone, stoic stare of a man who has tasted, touched, felt and smelled everything the world has to offer, and now cares only to see it dead clearly.

It’s gone now, after 25 years on my stairwell wall. My son took it when he moved out two years ago, and I’ve yet to call him on it.


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